Archive for the ‘News’ Category

Soldier Billboard Project in Washington, D.C.

Thursday, March 4th, 2010

Images from Suzanne Opton’s series Soldier will appear on billboards in six Metrorail stations throughout Washington D.C. from March 9 to April 4, 2010.

The Soldier Billboard Project features portraits of American soldiers between tours of duty in Iraq and Afghanistan. Click here to read about various reactions to the series, which has been on a two-year tour to cities including Denver, Houston, Atlanta, and Miami, among others.

The series has generated considerable controversy in some venues, including CBS Outdoor’s decision to pull Opton’s billboards in Minneapolis-St. Paul during the Republican National Convention there in 2008.

Light Work has enjoyed working with Opton since 2005 when she was an Artist-in-Residence here in Syracuse. Light Work held the exhibition Soldier in 2006. As part of the exhibition, images from the series appeared on five billboards throughout Syracuse, which extended the work into the community where it could be seen by the general public. Contact Sheet 136 celebrates the series and the exhibition.

Opton continues to work with Light Work/Community Darkrooms by realizing prints with Digital Lab Manager John Mannion and his assistant Carrie Mondore up through today.

Three works from Solider are in the Light Work Collection, which you can view and read about here. A black-and-white image from this series, Soldier Conklin: 272 days in Iraq, 2006, is also available in the Light Work store; your purchase goes directly back into our programming that supports emerging and under-recognized artists.

Images: Above, left: Soldier Birkholz, 353 Days in Iraq, 205 Days in Afghanistan. Right: Billboards in Syracuse initiated by Light Work in conjunction with the exhibition Soldier, 2006.

Renée Mussai of Autograph ABP to lecture at Light Work

Monday, March 1st, 2010

Renée Mussai, archive project manager for Autograph ABP in London, will give a lecture at Light Work tomorrow night, March 2, at 6:30pm. Mussai will discuss developing a collection that represents artists of diverse backgrounds for Autograph ABP, as well as the right to representation.

Within the framework of the Archive and Research Centre for Culturally Diverse Photography at Autograph ABP, this talk will present the organization’s twenty-year history in context and critically explore issues around diversity, cultural identity, and representation in photographic practice in the twentieth and twenty-first centuries. As an online digital image bank and research resource, the Archive highlights a missing chapter in the cultural history of photography: Launching in 2011, its dedicated public program of education, outreach, and participatory photography projects will transform the collection into a continuously growing, living archive.

Mussai has been involved with Autograph ABP since 2001, where she currently oversees the establishment of the Archive and Research Centre for Culturally Diverse Photography. In addition to curating the archive collection, recent curatorial projects include solo exhibitions of Rotimi Fani-Kayode’s work; Ever Young: James Barnor, Street and Studio Photography from Ghana and the UK; as well as a forthcoming retrospective at Autograph ABP in the fall of 2010. Twice recipient of the Sofie and Emanuel Fohn Fellowship, she is based in London where she regularly lectures on photographic history and cultural identity.

Autograph ABP is an international photographic arts organization that addresses issues of cultural identity and human rights. It develops, exhibits, and publishes the work of photographers from culturally diverse backgrounds and advocates for their inclusion in all areas of exhibition, publishing, education, and commerce in the visual arts.

Light Work and Autograph ABP co-sponsor a residency every year here in Syracuse. Past Autograph ABP Artists-in-Residence have included Eileen Perrier, Admas Habteslasie, and Rik Pinkcombe.

Image, right: James Barnor, Eva, London 1960s. © James Barnor/Courtesy Autograph ABP

Renée Mussai Lecture and Reception—Autograph ABP: The Missing Chapter
March 2, 2010 at 6:30pm
Light Work

Light Work Board Member Brings “Breach of Peace” to Syracuse

Thursday, February 25th, 2010
Eric Etheridge and Glen Lewis

Eric Etheridge and Glen Lewis

Light Work board member Glen Lewis was instrumental in bringing to Syracuse Eric Etheridge’s “Breach of Peace,” an exhibit based on his book of the same name.

Published in 2008, Breach of Peace juxtaposes mug shots of the 1961 Freedom Riders with contemporary images and excerpts of interviews. The Freedom Riders were American men and women, black and white, who traveled by bus to the South to protest the segregation of buses and bus stations that was then illegal but still being enforced.

“Breach of Peace” is at ArtRage Gallery until February 27.

Doug DuBois in BlackFlash

Wednesday, February 24th, 2010

The Winter 2010 issue of BlackFlash magazine, entitled Family Matters, features an image by Doug DuBois on its cover. Inside, DuBois and Richard Hines talk about mixing art with family. Their conversation is also online here.

Doug DuBois has photographed his family for over twenty-five years, following the seasons of happy and sorrowful moments. His book …all the days and nights, which was published by aperture in 2009, features this and sixty-one other images in the series. photo-eye cited ...all the days and nights as one of the best books of 2009.

Light Work offers signed copies of . . . all the days and nights in our online store for $45. For $15 more, you can get a signed . . . all the days and nights plus a year’s subscription to the award-winning Contact Sheet (five issues, including The Light Work Annual). Also available is a signed, limited edition print by DuBois for $275.

Your purchases go directly into supporting our programming for emerging and under-recognized artists.

Image: Spencer with His Violin, Ithaca, NY, 2008.

Lola Flash opens at Gordon Parks Gallery

Monday, February 22nd, 2010

The exhibition Flash in Retrospect, featuring work by 2008 Light Work Artist-in-Residence Lola Flash, opened on February 13 at Gordon Parks Gallery on the John Cardinal O’Connor campus of The College of New Rochelle. The exhibition will run through May 2, 2010.

Flash’s work addresses boundaries and the physical and ideological areas that exist concerning those boundaries. Begun in 2002, [sur]passing examines how skin color impacts black identity both in real life and in front of the camera. With the portraits in epicene, Flash depicts a mosaic of subjects who have challenged societal confines, including those of race, class, and gender. Photographed in various cities in the United States and abroad, her series quartet looks at the interstitial places that comprise these cities and define the lives of their inhabitants.

Flash was born in the United States and is of African and Native American heritage. She spent ten years in London, where she regularly exhibited her work and also attained her MA. A classic Flash photograph, Stay Afloat, Use a Rubber, is part of London’s Victoria and Albert Museum collection. She is now based in New York.

Read more about Flash and her work at her website. Flash has two photographs in the Light Work Collection, which you can view by clicking here. Her work was also featured in Contact Sheet 152, which you can preview and purchase here.

Images: Above, left, Amanda, Cape Town, South Africa, from the series [sur]passing. Right, the artist with her work at the exhibition opening on February 13, 2010.

Covering photography

Monday, February 1st, 2010

The Special Collections Research Center at Syracuse University’s Bird Library, which is right down the street from Light Work, contains an amazing 100,00 printed works and 2,000 archival collections. As part of its Spring 2010 programming, the Center is featuring the exhibition Covering Photography: Imitation, Influence, and Coincidence. The show’s guest curator, Karl Baden (Light Work Artist-in-Residence, 1985), is the founder of the web-based archive Covering Photography. Both the website and the exhibition explore the relationship between the history of photography and book cover design. Comparing the book covers to their “source” images, this relationship ranges in strength from direct appropriation to the possibility of subconscious influence on the designer.

Light Work’s Digital Lab Manager John Mannion worked closely with Baden and the Center to realize the various prints that are staged with the actual books and covers in the show. This project is a great example of the focused, project-specific assistance available through our digital services in Community Darkrooms.

The exhibition runs through April 30, and Karl Baden will host a gallery talk about the project on Tuesday, March 2 at 5pm.

Covering Photography: Imitation, Influence, and Coincidence
January 19-April 30, 2010
Special Collections Research Center
Bird Library, Syracuse University
111 Waverly Avenue
Syracuse, New York  13210